{"id":5381,"date":"2022-03-21T09:00:29","date_gmt":"2022-03-21T08:00:29","guid":{"rendered":"http:\/\/www.poloaldi.it\/biografia\/"},"modified":"2022-03-21T09:02:39","modified_gmt":"2022-03-21T08:02:39","slug":"bio","status":"publish","type":"post","link":"https:\/\/www.poloaldi.it\/en\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"<div id=\"pl-5381\"  class=\"panel-layout\" ><div id=\"pg-5381-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-5381-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-5381-0-0-0\" class=\"so-panel widget widget_black-studio-tinymce widget_black_studio_tinymce panel-first-child panel-last-child\" data-index=\"0\" ><div class=\"textwidget\"><p>Pietro Aldi<\/p>\n<p>&nbsp;<\/p>\n<p>1852\u00a0\u00a0\u00a0 born in Manciano into a well-to-do family<\/p>\n<p>1864 \u00a0\u00a0 enrolled in the Istituto di Belle Arti in Siena, directed by Luigi Mussini, which he attended \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 for seven years, winning numerous awards in school competitions<\/p>\n<p>1872\u00a0\u00a0\u00a0 painted the <em>Ancestors<\/em> of the family of Baron Ricasoli at Brolio Castle in Chianti and the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 history painting <em>Ghino di Tacco<\/em> (Manciano, Pinacoteca Comunale)<\/p>\n<p>1874\u00a0\u00a0\u00a0 won the Biringucci fellowship awarded by the Societ\u00e0 di Esecutori di Pie \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Disposizioni in Siena, which enabled extended stays in Venice, Florence, and Rome, where \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 he made numerous life studies and views of ancient works<\/p>\n<p>1878\u00a0\u00a0\u00a0 his <em>Buoso da Doara<\/em> met with great success at the Rome Exposition in Piazza del Popolo<\/p>\n<p>1880-85\u00a0\u00a0 painted <em>The Funeral of Pompey the Great <\/em>and, for the convent of the Passionist \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fathers on Monte Argentario, <em>The Virgin and Child Appearing to Saint Paul of the Cross<\/em>; \u00a0\u00a0 presented <em>Salvator Rosa as a Child<\/em> at the art exhibition in Venice in 1881. In 1882 he \u00a0\u00a0\u00a0 painted <em>The Final Hours of Sienese Liberty<\/em>; in the years 1883-85 painted two large canvases \u00a0\u00a0 on <em>Ildebrando da Sovana <\/em>(Pope Gregory VII) for Pitigliano Cathedral; painted murals in the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 monumental Misericordia cemetery in Siena; in 1884 exhibited <em>Michelangelo Painting in \u00a0\u00a0\u00a0\u00a0 the Sistine Chapel<\/em>, purchased by King Umberto I.<\/p>\n<p>1887\u00a0\u00a0\u00a0 together with Luigi Mussini\u2019s best students, painted the large frescoes on the walls of the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Risorgimento Room in Siena\u2019s Palazzo Pubblio. The two scenes he made are among the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 most celebrated images of the history of the Italian Risorgimento.<\/p>\n<p>1888\u00a0\u00a0\u00a0 at the Vatican Exposition presented, to great success, the painting of<em> Judith<\/em>, still in the \u00a0 Vatican collections; began painting <em>Nero Watching Rome Burn<\/em> to be shown at the 1889 \u00a0 International Exposition in Paris, but did not finish it, due to his untimely death on 18 May.<\/p>\n<p>&nbsp;<\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Pietro Aldi &nbsp; 1852\u00a0\u00a0\u00a0 born in Manciano into a well-to-do family 1864 \u00a0\u00a0 enrolled in the Istituto di Belle Arti in Siena, directed by Luigi Mussini, which he attended \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 for seven years, winning numerous awards in school competitions 1872\u00a0\u00a0\u00a0 painted the Ancestors of the family of Baron Ricasoli at Brolio Castle in Chianti and the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 history painting Ghino di Tacco (Manciano, Pinacoteca Comunale) 1874\u00a0\u00a0\u00a0 won the Biringucci fellowship awarded by the Societ\u00e0 di Esecutori di Pie \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Disposizioni in Siena, which enabled extended stays in Venice, Florence, and Rome, where \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 he made numerous life studies and views of ancient works 1878\u00a0\u00a0\u00a0 his Buoso da Doara met with great success at the Rome Exposition in Piazza del Popolo 1880-85\u00a0\u00a0 painted The Funeral of Pompey the Great and, for the convent of the Passionist \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fathers on Monte Argentario, The Virgin and Child Appearing to Saint Paul of the Cross; \u00a0\u00a0 presented Salvator Rosa as a Child at the art exhibition in Venice in 1881. In 1882 he \u00a0\u00a0\u00a0 painted The Final Hours of Sienese Liberty; in the years 1883-85 painted two large canvases \u00a0\u00a0 on Ildebrando da Sovana (Pope Gregory VII) for Pitigliano Cathedral; painted murals in the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 monumental Misericordia cemetery in Siena; in 1884 exhibited Michelangelo Painting in \u00a0\u00a0\u00a0\u00a0 the Sistine Chapel, purchased by King Umberto I. 1887\u00a0\u00a0\u00a0 together with Luigi Mussini\u2019s best students, painted the large frescoes on the walls of the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Risorgimento Room in Siena\u2019s Palazzo Pubblio. The two scenes he made are among the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 most celebrated images of the history of the Italian Risorgimento. 1888\u00a0\u00a0\u00a0 at the Vatican Exposition presented, to great success, the painting of Judith, still in the \u00a0 Vatican collections; began painting Nero Watching Rome Burn to be shown at the 1889 \u00a0 International Exposition in Paris, but did not finish it, due to his untimely death on 18 May. &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[379,380],"class_list":["post-5381","post","type-post","status-publish","format-standard","hentry","category-esposizione-permanente-en","category-pannelli-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.10 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bio - Polo Culturale Pietro Aldi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.poloaldi.it\/en\/bio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bio - Polo Culturale Pietro Aldi\" \/>\n<meta property=\"og:description\" content=\"Pietro Aldi &nbsp; 1852\u00a0\u00a0\u00a0 born in Manciano into a well-to-do family 1864 \u00a0\u00a0 enrolled in the Istituto di Belle Arti in Siena, directed by Luigi Mussini, which he attended \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 for seven years, winning numerous awards in school competitions 1872\u00a0\u00a0\u00a0 painted the Ancestors of the family of Baron Ricasoli at Brolio Castle in Chianti and the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 history painting Ghino di Tacco (Manciano, Pinacoteca Comunale) 1874\u00a0\u00a0\u00a0 won the Biringucci fellowship awarded by the Societ\u00e0 di Esecutori di Pie \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Disposizioni in Siena, which enabled extended stays in Venice, Florence, and Rome, where \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 he made numerous life studies and views of ancient works 1878\u00a0\u00a0\u00a0 his Buoso da Doara met with great success at the Rome Exposition in Piazza del Popolo 1880-85\u00a0\u00a0 painted The Funeral of Pompey the Great and, for the convent of the Passionist \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fathers on Monte Argentario, The Virgin and Child Appearing to Saint Paul of the Cross; \u00a0\u00a0 presented Salvator Rosa as a Child at the art exhibition in Venice in 1881. In 1882 he \u00a0\u00a0\u00a0 painted The Final Hours of Sienese Liberty; in the years 1883-85 painted two large canvases \u00a0\u00a0 on Ildebrando da Sovana (Pope Gregory VII) for Pitigliano Cathedral; painted murals in the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 monumental Misericordia cemetery in Siena; in 1884 exhibited Michelangelo Painting in \u00a0\u00a0\u00a0\u00a0 the Sistine Chapel, purchased by King Umberto I. 1887\u00a0\u00a0\u00a0 together with Luigi Mussini\u2019s best students, painted the large frescoes on the walls of the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Risorgimento Room in Siena\u2019s Palazzo Pubblio. The two scenes he made are among the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 most celebrated images of the history of the Italian Risorgimento. 1888\u00a0\u00a0\u00a0 at the Vatican Exposition presented, to great success, the painting of Judith, still in the \u00a0 Vatican collections; began painting Nero Watching Rome Burn to be shown at the 1889 \u00a0 International Exposition in Paris, but did not finish it, due to his untimely death on 18 May. &nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.poloaldi.it\/en\/bio\/\" \/>\n<meta property=\"og:site_name\" content=\"Polo Culturale Pietro Aldi\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/polopietroaldi\" \/>\n<meta property=\"article:published_time\" content=\"2022-03-21T08:00:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-03-21T08:02:39+00:00\" \/>\n<meta name=\"author\" content=\"Polo Aldi\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@polopietroaldi\" \/>\n<meta name=\"twitter:site\" content=\"@polopietroaldi\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Polo Aldi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.poloaldi.it\/en\/bio\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.poloaldi.it\/en\/bio\/\"},\"author\":{\"name\":\"Polo Aldi\",\"@id\":\"http:\/\/www.poloaldi.it\/en\/#\/schema\/person\/54facb648bfcd1253b00d95c62a4d5f9\"},\"headline\":\"Bio\",\"datePublished\":\"2022-03-21T08:00:29+00:00\",\"dateModified\":\"2022-03-21T08:02:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.poloaldi.it\/en\/bio\/\"},\"wordCount\":289,\"publisher\":{\"@id\":\"http:\/\/www.poloaldi.it\/en\/#organization\"},\"articleSection\":[\"Esposizione Permanente\",\"Pannelli\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.poloaldi.it\/en\/bio\/\",\"url\":\"https:\/\/www.poloaldi.it\/en\/bio\/\",\"name\":\"Bio - 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Polo Culturale Pietro Aldi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.poloaldi.it\/en\/bio\/","og_locale":"en_US","og_type":"article","og_title":"Bio - Polo Culturale Pietro Aldi","og_description":"Pietro Aldi &nbsp; 1852\u00a0\u00a0\u00a0 born in Manciano into a well-to-do family 1864 \u00a0\u00a0 enrolled in the Istituto di Belle Arti in Siena, directed by Luigi Mussini, which he attended \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 for seven years, winning numerous awards in school competitions 1872\u00a0\u00a0\u00a0 painted the Ancestors of the family of Baron Ricasoli at Brolio Castle in Chianti and the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 history painting Ghino di Tacco (Manciano, Pinacoteca Comunale) 1874\u00a0\u00a0\u00a0 won the Biringucci fellowship awarded by the Societ\u00e0 di Esecutori di Pie \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Disposizioni in Siena, which enabled extended stays in Venice, Florence, and Rome, where \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 he made numerous life studies and views of ancient works 1878\u00a0\u00a0\u00a0 his Buoso da Doara met with great success at the Rome Exposition in Piazza del Popolo 1880-85\u00a0\u00a0 painted The Funeral of Pompey the Great and, for the convent of the Passionist \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fathers on Monte Argentario, The Virgin and Child Appearing to Saint Paul of the Cross; \u00a0\u00a0 presented Salvator Rosa as a Child at the art exhibition in Venice in 1881. In 1882 he \u00a0\u00a0\u00a0 painted The Final Hours of Sienese Liberty; in the years 1883-85 painted two large canvases \u00a0\u00a0 on Ildebrando da Sovana (Pope Gregory VII) for Pitigliano Cathedral; painted murals in the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 monumental Misericordia cemetery in Siena; in 1884 exhibited Michelangelo Painting in \u00a0\u00a0\u00a0\u00a0 the Sistine Chapel, purchased by King Umberto I. 1887\u00a0\u00a0\u00a0 together with Luigi Mussini\u2019s best students, painted the large frescoes on the walls of the \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Risorgimento Room in Siena\u2019s Palazzo Pubblio. 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