Polo Culturale Pietro Aldi

  • Artwork
  • Artwork

Winter Countryside with Snow

1

1885

Oil on canvas

19.5×32 cm

Frulli Family Collection

This luminous image fixes the melting snow in a mountain landscape where an old, severe tree stump seems to take on the role of historic memory compared to the stand of new-growth trees waving in the distance. A late work by the artist, painted probably during one of his last trips home for his health, it presents the Symbolist trend of his last period, linked to the cultural world of Rome of which he was then a part, but perhaps also an increasingly pressing foreshadowing of his imminent demise.

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Pietro Aldi

Manciano, 12 July 1852 – 18 May 1888

Born into a family of wealthy landowners, Pietro Aldi in 1864 enrolled in the Istituto di Belle Arti in Siena, directed by Luigi Mussini. He won the triennial competition in 1873 and the following year, with The Defeat of Conrad of Swabia at Tagliacozzo, won a Biringucci fellowship from the Società di Esecutori di Pie Disposizioni in Siena which enabled him to study in Venice, Florence, and Rome, where he worked with Cesare Maccari. In 1876 he sent The Adulteress to Siena as an example of his studies, but in early 1877 he was forced to return to Manciano because of ill health, a problem that unfortunately would become frequent.

In 1878 he presented in Rome Buoso da Dovara, which was a great success. In 1880 he painted The Virgin and Child Appearing to St. Paul of the Cross for the convent of the Passionist Fathers on Mount Argentario. That same year, he did The Funeral of Pompey the Great, shown in Turin in 1881, and in 1883 participated in the international show in Rome with The Final Hours of Sienese Liberty, to critical acclaim; that same year, he frescoed two funerary chapels in the Misericordia Cemetery in Siena: The Intercessory Angels in the Pollini chapel and Charity in the Franci chapel. The following year he painted St. Joseph with the Christ Child for the church of San Nicola in Sorano and finished two large pictures for Pitigliano cathedral with important moments from the life of Pope Gregory VII.

In 1886, in the Risorgimento Room of the Palazzo Pubblico in Siena, he painted The Meeting at Vignale and the very famous Meeting at Teano. Two years later he presented a large-scale painting of The Triumph of Judith now in the Vatican Museum. At the same time he began work on the canvas of Nero Watching Rome Burn, intended to be shown at the 1889 International Exposition in Paris, but it remained unfinished at his death.