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<oembed><version>1.0</version><provider_name>Polo Culturale Pietro Aldi</provider_name><provider_url>http://www.poloaldi.it/en/</provider_url><author_name>Polo Aldi</author_name><author_url>http://www.poloaldi.it/en/author/poloaldi/</author_url><title>Bio - Polo Culturale Pietro Aldi</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="Z5qkNDvCyk"&gt;&lt;a href="http://www.poloaldi.it/en/bio/"&gt;Bio&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="http://www.poloaldi.it/en/bio/embed/#?secret=Z5qkNDvCyk" width="600" height="338" title="&#x201C;Bio&#x201D; &#x2014; Polo Culturale Pietro Aldi" data-secret="Z5qkNDvCyk" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>Pietro Aldi &nbsp; 1852&#xA0;&#xA0;&#xA0; born in Manciano into a well-to-do family 1864 &#xA0;&#xA0; enrolled in the Istituto di Belle Arti in Siena, directed by Luigi Mussini, which he attended &#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0; for seven years, winning numerous awards in school competitions 1872&#xA0;&#xA0;&#xA0; painted the Ancestors of the family of Baron Ricasoli at Brolio Castle in Chianti and the &#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0; history painting Ghino di Tacco (Manciano, Pinacoteca Comunale) 1874&#xA0;&#xA0;&#xA0; won the Biringucci fellowship awarded by the Societ&#xE0; di Esecutori di Pie &#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0; Disposizioni in Siena, which enabled extended stays in Venice, Florence, and Rome, where &#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0; he made numerous life studies and views of ancient works 1878&#xA0;&#xA0;&#xA0; his Buoso da Doara met with great success at the Rome Exposition in Piazza del Popolo 1880-85&#xA0;&#xA0; painted The Funeral of Pompey the Great and, for the convent of the Passionist &#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0; Fathers on Monte Argentario, The Virgin and Child Appearing to Saint Paul of the Cross; &#xA0;&#xA0; presented Salvator Rosa as a Child at the art exhibition in Venice in 1881. In 1882 he &#xA0;&#xA0;&#xA0; painted The Final Hours of Sienese Liberty; in the years 1883-85 painted two large canvases &#xA0;&#xA0; on Ildebrando da Sovana (Pope Gregory VII) for Pitigliano Cathedral; painted murals in the &#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0; monumental Misericordia cemetery in Siena; in 1884 exhibited Michelangelo Painting in &#xA0;&#xA0;&#xA0;&#xA0; the Sistine Chapel, purchased by King Umberto I. 1887&#xA0;&#xA0;&#xA0; together with Luigi Mussini&#x2019;s best students, painted the large frescoes on the walls of the &#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0; Risorgimento Room in Siena&#x2019;s Palazzo Pubblio. The two scenes he made are among the &#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;&#xA0; most celebrated images of the history of the Italian Risorgimento. 1888&#xA0;&#xA0;&#xA0; at the Vatican Exposition presented, to great success, the painting of Judith, still in the &#xA0; Vatican collections; began painting Nero Watching Rome Burn to be shown at the 1889 &#xA0; International Exposition in Paris, but did not finish it, due to his untimely death on 18 May. &nbsp;</description></oembed>

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